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Report From The Interior
47.22
Having recalled his life through the story of his physical şelf in
Winter Journal, internationally acclaimed novelist Paul Auster
now remembers the experience of his development from v/ithin,
through the encounters of his interior şelf with the outer world.
From his baby's-eye view of the man in the moon, to his
childhood v/orship of the movie cowboy Buster Crabbe, to the
composition of his first poem at the age of nine, to his dawning
avvareness of the injustices of American life, Report from the
interior charts Auster's moral, political and intellectual journey
as he inches his way towards adulthood through the post-war
fifties and into the turbulent sixties.
Auster evokes the sounds, smells and tadile sensations that
marked his early life - and the many images that came at him,
including moving images (he adored cartoons, he was in love
with films) - until, at its unique climax, the book breaks away
from prose into püre imagery: the final section of Report
from the İnterior recapitulates the first three parts, told in
an albüm of pictures.
At önce a story of the times - which makes it everyone's story
- and the story of the emerging consciousness of a renov/ned
literary artist, this four-part work answers the challenge of
autobiography in ways rarely, if ever, seen before.
Having recalled his life through the story of his physical şelf in
Winter Journal, internationally acclaimed novelist Paul Auster
now remembers the experience of his development from v/ithin,
through the encounters of his interior şelf with the outer world.
From his baby's-eye view of the man in the moon, to his
childhood v/orship of the movie cowboy Buster Crabbe, to the
composition of his first poem at the age of nine, to his dawning
avvareness of the injustices of American life, Report from the
interior charts Auster's moral, political and intellectual journey
as he inches his way towards adulthood through the post-war
fifties and into the turbulent sixties.
Auster evokes the sounds, smells and tadile sensations that
marked his early life - and the many images that came at him,
including moving images (he adored cartoons, he was in love
with films) - until, at its unique climax, the book breaks away
from prose into püre imagery: the final section of Report
from the İnterior recapitulates the first three parts, told in
an albüm of pictures.
At önce a story of the times - which makes it everyone's story
- and the story of the emerging consciousness of a renov/ned
literary artist, this four-part work answers the challenge of
autobiography in ways rarely, if ever, seen before.
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